Wednesday, March 16, 2011

Sempre Susan

I suppose it's a sign of an exaggeration-prone temperament to say, "it's one of the best things I've ever read" of two things in one month. But I can definitely say that of Mary Gaitskill's "The Lost Cat," which I referred to a few posts back, and I can also say that of Sigrid Nunez's book about Susan Sontag, Sempre Susan, which I finished just minutes ago, and which I'm still in thrall to--and will be for some time. I can't imagine a more dignified, concise, compassionate, and devastating biography, whatever the subject. And not a false note. Here's a little bit.

from Sempre Susan
Sigrid Nunez

She said a writer should never pay attention to reviews, good or bad. "In fact, you'll see, the good ones will often make you feel even worse than the bad ones." Besides, she said, people are sheep. If one person says something's good, the next person say it's good, everyone says it's good." At a certain point, people simply made up their minds about it based on what had already been said about it.

But there were times when she was piqued about the person to whom one of her books had been assigned for review because she didn't believe that person was smart enough or important enough to write about her.

She said it was a mistake to care too much if others liked or disliked you. To be despised in certain circumstances, or by certain people, could be a high compliment.

She said, "Don't be afraid to steal. I steal from other writers all the time." And she could point to no few instances of writers stealing from her.

She said, "Beware of ghettoization. Resist the pressure to think of yourself as a woman writer." (I winced when I entered a bookstore recently and saw her shelved under the sign Celebrate Women's History Month. Just her, Anais Nin, and Zora Neale Hurston.)

She said, "Resist the temptation to think of yourself as a victim." (She had no patience with weaklings who couldn't take care of themselves; those without armor brought our her aggression.) She believed that women were raised to be masochists and that this, too, was something a woman had to struggle against. Though she saw herself as utterly different from most other women, she deplored what she saw as her own masochistic tendencies. "Like my grotesque way of panting after people who don't want me." ( Grotesque was another one of her words.)

4 comments:

Christopher Tradowsky said...

HA! Speaking of ghettoization... I included a Susan Sontag day in my Women in Art (or, a-hem, Gender, Sex and Sexuality in Art) seminar this spring JUST as a treat to myself. Just because I wanted to read "Notes on Camp" as a little gift to myself late in the semester when all the students will be crawling the walls with spring fever and Senioritis.

Do you give yourself such gifts? I imagine you do--all the time. Wouldn't teaching be better if it involved a fair dose of hedonism?

Paul Lisicky said...

I always give myself those gifts as part of teaching. I'm always, in part, trying to educate myself, so I use that situation to get to know work I wouldn't take the time to get to know to know otherwise. I must go back to "Notes of Camp." It meant so much to me when I was younger. It would be interesting to go back to it now.

I bet you would like Sigrid's book, Christopher.

Christopher Tradowsky said...

Paul, is this one continuous excerpt? Or are there elipses between some of the paragraphs? It doesn't read like a standard biography--which is good. I will definitely have to check it out--put it on my summer reading pile!

Paul Lisicky said...

Christopher, it's part of one continuous section. I love the way it makes use of disjunction and the elliptical. Not all of the book is this spare, but this passage is a kind of blueprint, in miniature, of what the entire book is up to structurally. It's in no way a linear narrative, though there are echoes of linearity throughout.